{"id":11,"date":"2018-07-31T08:37:08","date_gmt":"2018-07-31T08:37:08","guid":{"rendered":"http:\/\/experimentalnarratology.com\/?page_id=11"},"modified":"2019-04-27T22:58:50","modified_gmt":"2019-04-27T22:58:50","slug":"about-the-lise-meitner-project-of-klaus-peter-speidel","status":"publish","type":"page","link":"http:\/\/experimentalnarratology.com\/?page_id=11","title":{"rendered":"Publications"},"content":{"rendered":"

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K. Speidel, \u00ab ‘Telling in Time’ Extended: How Single Pictures Convey Stories, Evoking Suspense, Curiosity, Surprise and Relief\u00a0\u00bb<\/strong><\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Poetics Today<\/i><\/span><\/span><\/span><\/span>, Vol. 41, 2020<\/span><\/span><\/span><\/span> <\/b>(accepted)<\/span><\/span><\/span><\/span><\/p>\n

K. Speidel, <\/b><\/span>\u00ab\u00a0Figurerz\u00e4hlung, Spurerz\u00e4hlung und das Problem der Narration im Bild. Theoretische Grundlagen und empirische Evidenz\u00a0\u00bb<\/strong>, Kulturtechnik Malen<\/em>, Meret Kupzyk, Charlotte Warsen, Ludger Schwarte (eds.), Fink Verlag, M\u00fcnchen, 2019 (forthcoming)<\/span><\/span><\/span><\/p>\n

K. Speidel, <\/b>\u00ab\u00a0What Narrative is. Reconsidering the Role of Definitions based on Experiments with Pictorial Narrative. An Essay in Descriptive Narratology.\u00a0\u00bb<\/a><\/span><\/span><\/span><\/span><\/strong>, Frontiers of Narrative Studies, Vol. 4 (Issue S1), 2018\u00a0<\/span><\/span><\/span><\/span><\/p>\n

K. Speidel, <\/span>\u00ab\u00a0Lolita vs. Knutschfleck. Wie kommen Geschichten in den Raum? Mit einem Pl\u00e4doyer f\u00fcr Spurerz\u00e4hlung in der Kunst.\u00a0\u00bb \/ \u00ab\u00a0Lolita and the lovebite. How stories get into space. With a call for trace-based narratives in art\u00a0\u00bb, <\/b><\/span><\/span><\/span>lightness and matter: Transmediale Kunst | Transmedia Art, <\/i><\/span><\/span><\/span>Brigitte Kowanz\/Peter Kozek (eds.), <\/span><\/span><\/span>Edition Angewandte\/De Gruyter, Wien\/Hamburg, 2018<\/span><\/span><\/span><\/p>\n

K. Speidel, \u00ab\u00a0Le probl\u00e8me de la narration dans l’art abstrait\/The Problem of Narration in Abstract Art\u00a0\u00bb<\/a><\/b><\/span><\/span>, <\/span><\/span>Flatlands. Narrative Abstractions<\/i><\/span><\/span>, Marianne Derrien, Sarah Ihler-Meyer (eds.), Mudam Luxembourg, Mrac Occitanie\/Pyr\u00e9n\u00e9es-M\u00e9dit\u00e9rran\u00e9e, Editions Cantz, Esslingen\/Luxemburg, 2018<\/span><\/span><\/span><\/span><\/p>\n

K. Speidel, <\/span>\u00ab\u00a0Jak pojedyncze obrazy opowiadaj\u0105 historie. Krytyczne wprowadzenie do problematyki narracji ikonicznej w narratologii [How single pictures tell stories. A critical introduction to narrative pictures and the problem of iconic narrative in narratology]\u00a0\u00bb<\/a><\/b><\/span>, <\/span>Narratologia transmedialna. Wyzwania, teorie, praktyki <\/i><\/span>[Transmedial Narratology. Challenges, Theories, Practices], Katarzyna Kaczmarczyk\u00a0 (ed.),<\/span> Universitas, Krakow, 2017 <\/span><\/span><\/span><\/p>\n

K. Speidel, <\/b><\/span>\u00ab\u00a0La narration et le spectre du modernisme: remarques sur le r\u00e9cit en art contemporain\u00a0\u00bb<\/a><\/span><\/span><\/span><\/strong>, L\u00e9gende*<\/em>, Laurent Buffet (ed.), Frac Franche-Comt\u00e9\/Les presses du r\u00e9el, Dijon, 2016<\/span><\/span><\/span><\/p>\n

Most publications can be accessed here: univie.academia.edu\/KlausSpeidel<\/strong><\/u><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

K. Speidel, \u00ab ‘Telling in Time’ Extended: How Single Pictures Convey Stories, Evoking Suspense, Curiosity, Surprise and Relief\u00a0\u00bb, Poetics Today, Vol. 41, 2020 (accepted) K. Speidel, \u00ab\u00a0Figurerz\u00e4hlung, Spurerz\u00e4hlung und das Problem der Narration im Bild.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"_links":{"self":[{"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/pages\/11"}],"collection":[{"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11"}],"version-history":[{"count":20,"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":136,"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions\/136"}],"wp:attachment":[{"href":"http:\/\/experimentalnarratology.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}